The
mention of ambaal’s Supreme Beauty (shlokas 12 and 18) in this part of Ananda-lahari, in
spite of its yantra, mantra and esoteric occupations,
is to tell us that all this is to lead us on to the darshan of that supreme
beauty of ambaal’s form, described in the
latter part, namely, Soundaryalahari.
That physical form of course is contained
in the ‘head-to-foot’ description; but the redness that radiates from that form
is a light that fills up the universe!
(Continued...)
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