(Continued...)
I
was saying that we could infer from the meanings of certain shlokas the results that will accrue. Ashamed at
the excellence of speech of ambaal Herself Sarasvati winds up
Her play on the VINA (# 66).
The three lines on
the neck of ambaal are the boundary lines
between the three kinds of rAga-categories, so that they may
not mix with each other, says shloka #69. It is clear that a japam
of either of these two shlokas will result in proficiency
of music.
(Continued...)
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