(Continued...)
Now we shall go over to shloka #7. Here comes, for
the first time, a graphic description of the form of KAmeshvari (Raja-rajeshvari, LalitA-tripura-sundari),
the deity of praise in Soundaryalahari. Even here, no name is mentioned; in
fact, throughout the hymn, the name does not occur.
kvaNat-kAnchI-dAmA
kari-kalabha-kumbha-stana-natA
parikshhINA madhye pariNata-sharac-candra-vadanA
/
dhanur-bANAn pAshaM sRNimapi dadhAnA karatalaiH
purastAd-AstAM naH
puramathitu-rAho-purushhikA // 7 //
kAnchI-dAmA: (She who is) wearing the girdle with
jewelled bells
kvaNat: tinkling and jingling (of jewels)
kari-kalabha-kumbha-stana-natA: (She who is made
to) lean forward by
the breasts that resemble the forehead of an young
elephant
parikshhINA madhye : (She who is) slender in the
middle (of the body)
pariNata-sharac-candra-vadanA: (She whose) face is
like the autumnal
full moon
dadhAnA karatalaiH : (She who is) wearing in Her
hands
dhanur-bANAn: the bow and arrows
pAshaM: the noose
sRNim-api : (and) also the goad
Aho-purushhikA : (She who is) the ‘I’-ness ( =Ego,
in the positive sense)
pura-mathithuH: of the destyroyer of (the demon
named) pura - i.e. of Lord Shiva
AstAM : may She appear
purastAt : before
naH : us.
(Continued...)
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